![]() Their debut album, Music Has the Right to Children, invoked nostalgia through sonic textures that sound as if they were sourced from decaying film strips from the ’60s and ’70s, playful samples of voices distorted just enough to feel off but not to disguise them entirely. And listening to Mouse on Mars can feel like hearing a machine bounce and flex like a cartoon, expanding and contracting and springing leaks.īoards of Canada, on the other hand, make music that’s mysterious by design. ![]() The cacophonous soundscapes of Autechre are prone to more overt moments of sonic violence, even as their personas outside their knotty compositions are decidedly less cloaked in mystique. ![]() ![]() James is as enigmatic as they come, his ominously grinning visage a playfully unsettling icon of his equally mercurial music. Given the general weirdness of their peers, that’s saying a lot: Aphex Twin’s Richard D. Boards of Canada have always seemed like the most likely figures in the nebulous space of IDM to inspire their own cult.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |